WEKO3
アイテム
19世紀後半のオーストリアにおける日本
https://kjunshin.repo.nii.ac.jp/records/208
https://kjunshin.repo.nii.ac.jp/records/20875ae4f63-0202-4911-9902-0b5a04061bbb
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
SEMBA-KO14 (685.1 kB)
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| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2008-03-01 | |||||
| タイトル | ||||||
| タイトル | 19世紀後半のオーストリアにおける日本 | |||||
| タイトル | ||||||
| タイトル | Japan in the late 19th Century of Austria | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ヴィーナー・モデルネ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ジャポニスム | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ウィーン万国博覧会 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | フランツ・フェルディナント | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ウィーン世紀末 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 論文 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Article | |||||
| 著者名(日) |
仙波, 玲子
× 仙波, 玲子 |
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| 著者所属(日) | ||||||
| 値 | 鹿児島純心女子大学国際人間学部 | |||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | After the long period of isolation Japan opened the country in the late 19th century and many products were presented to Europe. Japanese culture had a great impact in Europe not only because of its exoticism but also because of its roll as the antithesis of Western culture. Man can see the influence of Japonism also in Austria. In the Edo-period two German doctors, Engelbert Kaempfer and Philipp Franz von Siebold, brought information and materials about Japan to Europe. But these didn't call great attention in German-speaking area. The International Exposition Wien in 1873 offered a good opportunity to Japan to introduce its products and the visitors admired the top level of its technical skill. After the exposition museums in Wien enriched their Japanese collection. In the 1890s a new movement of art occurred in Austria. The Vienna Secession, a group of the leading artists, adopted the British Arts and Crafts movement and made no distinction between applied arts and fine arts. They tried also to integrate arts with daily life. And the artists found an ideal in the Japanese products. They learned specially the way to simplify and abstract the form of objects thanks to the collection of the Japanese patterns for dyeing and weaving. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12012192 | |||||
| 書誌情報 |
国際人間学部紀要 en : International human studies 巻 14, p. 65-78, 発行日 2008-03 |
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